Grant Green - Visions LP (Blue Note Classic Vinyl Series)
Grant Greenâs Blue Note output was prolific through the early-60s producing more than 20 hard bop and soul jazz sessions as a leader for the label between 1961-1965. By the time the guitarist returned to the label in 1969 his musical style had evolved to embrace jazz-funk and R&B as heard on his albums Carryinâ On and Green Is Beautiful. After two searing live recording datesâAlive! and Live at Club MozambiqueâGreen returned to Van Gelder Studio in 1971 to record Visions. Joining the guitarist were Billy Wooten on vibes, Emmanuel Riggins on electric piano, Chuck Rainey on electric bass, Idris Muhammad on drums, and percussionists Ray Armando and Harold Caldwell. Greenâs distinctive tone and melodicism elevate this varied program which includes interpretations of radio hits by Chicago (âDoes Anybody Really Know What Time It Is?â), The Carpenters (âWeâve Only Just Begunâ), and the Jackson 5 (âNever Can Say Goodbyeâ), as well as a surprising reinvention of Mozartâs Symphony No. 40 in G Minor. Other highlights of the set include the jazz-funk workout âCantaloupe Womanâ and an achingly beautiful rendition of Quincy Jonesâ âMaybe Tomorrow,â which was later sampled on Kendrick Lamarâs 2012 track âSing About Me, I'm Dying of Thirstâ from Good Kid, m.A.A.d City. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal. Tracklist: A1: Does Anybody Really Know What Time It Is?A2: Maybe TomorrowA3: Mozart Symphony #40 In G Minor, K550, 1st MovementA4: Love On A Two Way Street B1: Cantaloupe WomanB2: We've Only Just BegunB3: Never Can Say GoodbyeB4: Blues For Abraham

Description
Grant Greenâs Blue Note output was prolific through the early-60s producing more than 20 hard bop and soul jazz sessions as a leader for the label between 1961-1965. By the time the guitarist returned to the label in 1969 his musical style had evolved to embrace jazz-funk and R&B as heard on his albums Carryinâ On and Green Is Beautiful. After two searing live recording datesâAlive! and Live at Club MozambiqueâGreen returned to Van Gelder Studio in 1971 to record Visions. Joining the guitarist were Billy Wooten on vibes, Emmanuel Riggins on electric piano, Chuck Rainey on electric bass, Idris Muhammad on drums, and percussionists Ray Armando and Harold Caldwell. Greenâs distinctive tone and melodicism elevate this varied program which includes interpretations of radio hits by Chicago (âDoes Anybody Really Know What Time It Is?â), The Carpenters (âWeâve Only Just Begunâ), and the Jackson 5 (âNever Can Say Goodbyeâ), as well as a surprising reinvention of Mozartâs Symphony No. 40 in G Minor. Other highlights of the set include the jazz-funk workout âCantaloupe Womanâ and an achingly beautiful rendition of Quincy Jonesâ âMaybe Tomorrow,â which was later sampled on Kendrick Lamarâs 2012 track âSing About Me, I'm Dying of Thirstâ from Good Kid, m.A.A.d City. This Blue Note Classic Vinyl Edition is stereo, all-analog, mastered by Kevin Gray from the original master tapes, and pressed on 180g vinyl at Optimal. Tracklist: A1: Does Anybody Really Know What Time It Is?A2: Maybe TomorrowA3: Mozart Symphony #40 In G Minor, K550, 1st MovementA4: Love On A Two Way Street B1: Cantaloupe WomanB2: We've Only Just BegunB3: Never Can Say GoodbyeB4: Blues For Abraham










