Collage Camp Shirt
Details
4.5 oz plain weave cotton
4-hole Corozo buttons
Traditional Camp collar with button loop
Twill tape at neck and side openings
Double needle seam construction
Original embroidered artwork
This garment has undergone a wash and tint to remove all shrinkage
Color: Natural Tint
Embroidery color: Multi
Size & Fit
- True to size
- Model wears a large
- Model measures: height 6'3"/ 190cm
Care & Origin
- 100% cotton
- Machine wash cold with like colors
- tumble dry low
- Designed in Los Angeles
- Imported
Description
For this group, we were inspired by Dada, the early 20th-century art movement that rejected logic and tradition in favor of absurdity, spontaneity, and anti-art gestures. Dada artists like Hannah Höch and Kurt Schwitters used collage to disrupt meaning; cutting and pasting found images into strange, poetic new forms. We were also thinking about Robert Rauschenberg, whose layered, mixed-media works collapsed the boundaries between painting, sculpture, and everyday material. In a similar spirit, we started this collection not with drawings (as we usually do), but by physically collaging scraps of paper and found materials. We then scanned and re-drew them digitally, translating their raw textures into embroideries; preserving the improvisation and irreverence at the heart of Dada.
Description
Details
4.5 oz plain weave cotton
4-hole Corozo buttons
Traditional Camp collar with button loop
Twill tape at neck and side openings
Double needle seam construction
Original embroidered artwork
This garment has undergone a wash and tint to remove all shrinkage
Color: Natural Tint
Embroidery color: Multi
Size & Fit
- True to size
- Model wears a large
- Model measures: height 6'3"/ 190cm
Care & Origin
- 100% cotton
- Machine wash cold with like colors
- tumble dry low
- Designed in Los Angeles
- Imported
Description
For this group, we were inspired by Dada, the early 20th-century art movement that rejected logic and tradition in favor of absurdity, spontaneity, and anti-art gestures. Dada artists like Hannah Höch and Kurt Schwitters used collage to disrupt meaning; cutting and pasting found images into strange, poetic new forms. We were also thinking about Robert Rauschenberg, whose layered, mixed-media works collapsed the boundaries between painting, sculpture, and everyday material. In a similar spirit, we started this collection not with drawings (as we usually do), but by physically collaging scraps of paper and found materials. We then scanned and re-drew them digitally, translating their raw textures into embroideries; preserving the improvisation and irreverence at the heart of Dada.
